As part of a solo show at Claudio Poleschi Arte Contemporanea, the artist presented two brand new works, both entitled Piktori. In the huge space of the church, the Albanian artist remembers a person he met in his hometown – a painter that earns his living by painting portraits and landscapes, and also false documents, diplomas, and certificates. Paci shows a video where the pa... (展开全部) 　　As part of a solo show at Claudio Poleschi Arte Contemporanea, the artist presented two brand new works, both entitled Piktori. In the huge space of the church, the Albanian artist remembers a person he met in his hometown – a painter that earns his living by painting portraits and landscapes, and also false documents, diplomas, and certificates. Paci shows a video where the painter turns his back to the video camera while telling his story and posing a few critical questions: How can a doctor with a fake degree claim to be a real doctor? Can you call an artist someone who sells his manual ability to others? And who decides what is art and what is not? Adrian Paci tries to identify himself with the painter by setting up his own shop and massing there his artworks. The same questions possibly come to mind: who will decide if this is art or not? Who will decide if he is for real or not? And how? An official certification of his death – manufactured in the original shop – will question nothing less than the artist's existence. 　　源自：https://www.filmfestival.gr/en/section-tdf/movie/1277/14918

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